Sabrina 1954 Sabrina (1954)
Die Chauffeurs-Tochter Sabrina lässt sich in Paris zur Dame ausbilden und hofft nach ihrer Rückkehr in die USA, den Millionär David Larrabee für sich zu gewinnen. Der ist auch tatsächlich ganz angetan von ihr, doch sein Bruder Linus sieht das. Sabrina ist ein komödiantischer Liebesfilm unter der Regie von Billy Wilder aus dem Jahr In der Titelrolle ist Audrey Hepburn zu sehen, Humphrey Bogart. Sabrina Fairchild (Audrey Hepburn) ist die Tochter des Chauffeurs der Familie Larrabee und unsterblich verliebt in den attraktiven David Larrabee (William Holden). Sabrina. Unübertroffen: Billy Wilders bezaubernde Aschenputtel-Romanze mit Audrey Hepburn, Humphrey Bogart und William Holden, die. Sieh dir Trailer an, lies die Rezensionen von Kunden und Kritikern und kaufe den von Billy Wilder gedrehten Film „Sabrina ()“ für 8,99 €.
Sabrina. Unübertroffen: Billy Wilders bezaubernde Aschenputtel-Romanze mit Audrey Hepburn, Humphrey Bogart und William Holden, die. Sieh dir Trailer an, lies die Rezensionen von Kunden und Kritikern und kaufe den von Billy Wilder gedrehten Film „Sabrina ()“ für 8,99 €. Sabrina ein Film von Billy Wilder mit Humphrey Bogart, Audrey Hepburn. Inhaltsangabe: Von ihrer Ausbildung in Paris kehrt Sabrina (Audrey Hepburn) nach. Sabrina ein Film von Billy Wilder mit Humphrey Bogart, Audrey Hepburn. Inhaltsangabe: Von ihrer Ausbildung in Paris kehrt Sabrina (Audrey Hepburn) nach. Die zauberhafte Sabrina, Tochter eines Chauffeurs, wächst auf Long Island mit den Brüdern Linus und David Larrabee auf, die einer reichen Industriellenfamilie. M ratings. Download. audreyhepburnfacts: “ The crew of Sabrina gave Audrey Hepburn a present after filming wrapped,. Saved from sarahwilliams.co Sabrina posters for sale online. Buy Sabrina movie posters from Movie Poster Shop. We're your movie poster source for new releases and vintage movie posters. Maar liefde laat zich niet dwingen en Linus wordt nu zelf verliefd op het meisje en zij op hem. Yet in the midst of it all, Audrey Hepburn exhibited a natural check this out quiet sophistication that endeared her to an entire decade of movie goers. Rating : Above averagego here and indispensable watching ; extremely funny and riveting click to see more and completely entertaining. He was very ill, and would die, Gordon Ruth few years later this film, from throat cancer. Continue reading told love story Petey 27 August I was really, hoping for a this web page pace. A charming reworking of the classic Cinderella story. Not light hearted society types we will never meet in a million years. Hepburn, of course, is gorgeous. User Reviews another Cinderella story 6 June by didi-5 — See all my Sabrina 1954. News Noch keine Inhalte verfügbar. Humphrey Bogart wurde in letzter Minute anstelle von Cary Grant eingesetzt, da dieser abgesagt hatte. Martha Hyer. Click here dich an, Program Ard einen Kommentar zu schreiben. Maude Larrabee Francis X. Bushman : Mr. Fast über ihre gesamte Karriere hinweg read article sie dann von ihm ausgestattet. Deutscher Titel. Arthur P.
Sabrina 1954 Film-BewertungOktober an. Verleiher Paramount Pictures Germany. Audrey Hepburn. Walter This web page. Wunderbare Komödie. Eines Tages, als Lehman keine Kopie der anstehenden Szene für Bogart hatte, soll dieser explodiert sein.
Om verdere moeilijkheden te voorkomen en voor zijn eigen gemoedsrust dwingt Linus Sabrina naar Parijs te gaan met de boot en nooit meer terug te komen.
Maar tijdens een directievergadering krijgt hij spijt en vertrekt naar de haven. Hij weet aan boord te komen en samen met Sabrina reist hij naar Parijs.
De oorspronkelijke titel van de film en de titel van het toneelstuk was Sabrina Fair. Schrijver Samuel A. Het scenario voor de film was nog niet klaar voordat de opnames begonnen.
Hoewel het scenario was gebaseerd op een bestaand toneelstuk, Sabrina Fair, werd het door Wilder intensief herschreven.
Zijn co-auteur was Samuel A. Taylor, de schrijver van het toneelstuk. Taylor en Wilder kregen halverwege het herschrijven ruzie.
Taylor was het niet eens met de veranderingen die Wilder aanbracht, vooral aan het einde van het stuk. Hij werd vervangen door de ervaren scenarist Ernest Lehman.
Het stuk wijkt hier en daar nogal af van de film. In het toneelstuk gaat Sabrina ook naar Parijs, maar niet om kooklessen te nemen, ze wordt secretaresse van de assistent-commissaris voor Europese samenwerking.
Ze komt terug als een mondaine vrouw die weet wat ze wil en met een Franse minnaar in haar gevolg.
Anders dan in de film voelt Sabrina zich gelijk aangetrokken tot Linus, die ze bewondert om zijn intelligentie en wereldwijsheid.
Ze was vroeger weliswaar verliefd op David, maar dat was vroeger. Als blijkt dat Sabrina's vader over de jaren een fortuin heeft verdiend met beleggingen, kan ze Linus trouwen als een gelijke in rijkdom en intellect.
De Sabrina van het toneelstuk is in feite een ander personage dan in de film. Ze is veel meer de gelijke van Linus.
Ook Linus is veel minder de geldbeluste familieman dan in de film. Het is meer een intellectueel en man van de wereld.
Het einde van het stuk is ook veel minder 'Hollywoodachtig' dan de film, waar de verliefde stellen eerst uiteen worden gedreven en zich op het eind verzoenen.
Na het vertrek van Taylor werkte Ernest Lehman overuren om het scenario te voltooien. De productie was al begonnen en nog altijd was het scenario niet af.
Dit gaf uiteraard problemen met de acteurs. Het duurde enige uren voordat de acteur gekalmeerd was en de productie hervat kon worden.
Wilder en Lehman bleven herschrijven en het kwam zelfs zover dat Wilder aan Hepburn vroeg om te veinzen dat ze ziek was, om hem tijd te geven het scenario te voltooien.
Oorspronkelijk was Cary Grant uitgekozen voor de rol van Linus. Hij werd echter op het laatste ogenblik vervangen door Humphrey Bogart.
Wilder had een budget voor de film van rond de twee miljoen dollar. Hij filmde onder andere op het landgoed van Barney Balaban , de directeur van Paramount Pictures.
De opnames waren een drama. Het scenario was nog niet af en werd voortdurend gewijzigd. Ook waren er problemen met Wilders.
Bogart voelde zich niet thuis op de set, hij was boos dat hij tweede keus was voor de rol van Linus en had het idee dat hij niet geschikt was voor het personage.
Daarnaast kon hij ook niet goed opschieten met zijn tegenspelers die ook nog eens een verhouding kregen tijdens de opnames.
Bogart had een hekel aan William Holden die hij spottend 'Smiling Jim' noemde, die op zijn beurt Bogart niet kon uitstaan. Ook Audrey Hepburn lag hem niet, hij vond dat ze te onervaren was en werd wanhopig van het grote aantal opnames die de actrice nodig had.
Suddenly, she finds she's captured David's attention, but just as she does so, she finds herself also falling in love with Linus, and she finds that Linus is also falling in love with her.
Written by Brian C. However, she isn't the one who undergoes the most striking transformation in this charming romantic comedy. William Holden plays the playboy son of the house and he could probably have done this kind of role in his sleep while Humphrey Bogart of all people plays his crusty business-focused older brother.
Bogart is surprisingly good in this in a rare foray into comedy. Hepburn of course is just luminous. John Williams, as Hepburn's deadpan snobby chauffeur father is good fun, as is Ellen Corby grandma from 'The Waltons' as Bogart's secretary.
And how nice to see s movie idol Francis X Bushman in one of his later character roles as the father of Holden's intended. It is also much better than the remake with Harrison Ford which limped out in recent years.
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Won 1 Oscar. Edit Cast Complete credited cast: Humphrey Bogart Linus Larrabee Audrey Hepburn Sabrina Fairchild William Holden David Larrabee Walter Hampden Oliver Larrabee John Williams Thomas Fairchild Martha Hyer Elizabeth Tyson Joan Vohs Gretchen Van Horn Marcel Dalio Baron St.
Fontanel Marcel Hillaire The Professor Nella Walker Maude Larrabee Francis X. Tyson Ellen Corby Learn more More Like This.
Roman Holiday Comedy Romance. Funny Face Comedy Musical Romance. Breakfast at Tiffany's Comedy Drama Romance.
Charade Certificate: Passed Comedy Mystery Romance.
Theatrical release poster. Bushman as Mr. British Board of Film Classification. Retrieved Variety Weekly. January 5, Turner Classic Movies.
Retrieved September 6, Cary Grant: A Class Apart. Los Angeles Times. Archived from the original on Retrieved February 20, October 13, NY Times.
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Wikimedia Commons Wikiquote. Download as PDF Printable version. Sabrina Fair by Samuel A. Frederick Hollander.
Best Director. Best Actress. Best Screenplay. Billy Wilder, Samuel A. Taylor and Ernest Lehman. Best Art Direction — Black-and-White.
Comer and Ray Moyer. Best Cinematography — Black-and-White. Best Costume Design — Black-and-White.
British Academy Film Awards. Best British Actress. Directors Guild of America Awards. Outstanding Directorial Achievement in Motion Pictures.
Golden Globe Awards. Best Screenplay — Motion Picture. National Board of Review Awards. Top Ten Films. Best Supporting Actor. John Williams also for Dial M for Murder.
National Film Preservation Board. National Film Registry. Wilder gave us. Howlin Wolf 9 October I know this is going to be an unpopular opinion, as I can't see it stated anywhere else; I just have to write it down and see if anybody at all agrees with me.
It's very unwise for a Hollywood production to have the stars they've cast shoulder all of the burden of trying to make the script seem convincing.
I don't think the screenplay did a very good job at all of explaining just why these two men were so attracted to Sabrina save for the fact that she happens to be played by one Audrey Hepburn The character of the chauffeur's daughter behaves in the manner of an entitled brat - just because she can't have the man she wants, she writes a bitter little suicide note until she's shuffled off to Paris.
Upon her return, only her appearance has changed; her character still remains somewhat aloof, but she's discovered how to utilise her looks to twist men around her little finger.
This has the effect of making the two vying suitors we're shown seem shallow. This is a perception that is only confirmed when one of them attempts to woo her using the same seduction techniques he's already tried out on dozens of other girls yet Sabrina seems amused by this, rather than dissuaded!
Meanwhile, the older brother takes advantage by trying to kiss her under the pretence that he's acting in his missing sibling's stead as if that type of advance would really go over smoothly I didn't buy their motivations as anything recognisably human, and therefore didn't derive much satisfaction from the resolution of the story I think that established persona's and star wattage should only be relied upon to achieve so much.
The underlying construction of what they were given to work with just didn't seem solid enough to me. The one benefit to casting icons is that there are very few 'boring' scenes, there are just quite a few scenes that don't appear to make much narrative sense.
Bucs 22 October The master of many genres, Billy Wilder, does his magic here with this delightful comedy. Although maybe not one of his best, it still holds up after over 50 years.
There has been a lot said about the casting of Bogart as Linus, the stuffy businessman and I disagree with most of it.
I think that Bogart is perfect for the part of the seemingly humourless, financial wizard older brother. Granted, he is not the prettiest actor All that aside, he rose to the occasion and his playing of the role is subtle.
Seeing him come to the realization that he is falling in love with Sabrina is so well done that it sneaks up on you. Audrey Hepburn is just magical, as she always was William Holden is surprisingly good in a comic role but why the blonde hair?
He's breezy, unreliable and thoroughly likable and it becomes obvious that Sabrina is much too good for him. However incongruous it may seem, she belongs with Bogart.
The support in this film is top notch John Williams This is a wonderful film Audrey Hepburn as a mousy chauffeur's daughter?
Yes, and she's beguiling trying to gas herself in the garage before quickly cracking a window because gorgeous, rich playboy William Holden doesn't notice her.
But it's nothing that a little time away in Paris won't cure Hepburn is absolutely radiant in this picture: dark brows over big Bambi eyes, sensual, flirtatious lips, and that long, long neck.
She embodies the spirit of the Cinderella heroine, and director Billy Wilder milks her gamine appeal for all the millions it is worth.
Holden is blithe and lively, and Humphrey Bogart manages to make his stuffy unease rather charming. Clever, biting, romantic, sweet, this version of "Sabrina" has it all.
Wonderfully told love story Petey 27 August Audrey Hepburn plays Sabrina Fairchild, who goes to Paris as a girl and returns as a woman. Before she left Sabrina was interested in David Larrabee William Holden but he didn't show any interest on her.
But things have changed as she comes back from Paris. She's not the same teen girl anymore. She's an attractive woman. And David notices that too.
And so does David's brother Linus Humphrey Bogart. Sabrina was directed by one of the greatest directors of all time, Billy Wilder. The acting work is unique.
Audrey Hepburn, who is one of the most beautiful women of all time, does her job very well. Not only was she beautiful, she was also extremely talented.
You could always trust on William Holden and Humphrey Bogart. They were both brilliant. This is a very well written movie. The comedy and the romance both work just great in this movie.
Sabrina was made fifty years ago but that doesn't mean it wouldn't work today. Great romantic tales will always work. Paramount Pictures bought the rights for the Broadway play 'Sabrina Fair' expressly for Audrey Hepburn, coming off of the phenomenal success of her very first film and Oscar win for Best Actress the prior year in "Roman Holiday".
Director Billy Wilder even asked Hepburn to fake an illness on the day they were shooting a scene still being rewritten! The result however remains one of the all time great romantic comedies, casting Hepburn against a pair of mismatched brothers, David William Holden and Linus Humphrey Bogart Larrabee.
Linus in fact is such a corporate stiff that he's seen dictating a letter to his brother about reporting to work on time, while David seems singularly obsessed with fast sports cars and hit and run marriages.
I found it amusingly interesting that the Larrabees were getting into plastics well before Dustin Hoffman could get that advice in "The Graduate".
Two years at cooking school in Paris transforms the waif like Sabrina into a fashionable young woman who's learned how to live.
Responding to her father's constant lament that she should stop reaching for the moon, Sabrina counters that now As a stand in for his brother, Bogey proclaims himself Joe College with a touch of arthritis as he begins to court Sabrina.
But he does manage to pull off one of the smoothest moves of his movie career when he comments 'it's all in the family' just before kissing her for the first time.
One can just imagine how audiences of the 's might have been taken with the glamor and party life depicted in the film, unattainable as it was for the majority.
Yet in the midst of it all, Audrey Hepburn exhibited a natural and quiet sophistication that endeared her to an entire decade of movie goers.
Her self assurance in the role of Sabrina earned her a second Best Actress nomination in as many films.
Stay attentive, and you'll catch Bogart's character request his secretary for a pair of tickets to 'The Seven Year Itch". Ever the self promoters, Paramount was already getting audiences ready for their next big hit for the following year, also to be directed by Billy Wilder.
CPRychlik 18 January All I can say is Audrey Hepburn was the most attractive actress that I've ever seen, and she certainly proves this in this movie.
Even in the beginning of Sabrina,Hepburn's voice-over instantly draws your attention to this attractive,well mannered actress.
Then when you see Audrey for the first time,it is love at first sight-what a beautiful lady she was! Billy Wilder gets a thumbs up for selecting Hepburn as Sabrina-you could say that Hepburn was Sabrina.
She had that unusual charm and magical beauty that very few actresses have even today. If you get this movie,you'll fall in love with Audrey-just like I have.
If you compare this movie to the remake,this movie wins hands down. Sadly,they don't make movies like this anymore.
Am I an Audrey Hepburn fan? Of course I am! I always have been and I always will be. This is the reason why you watch movies.
This is why people feel so strongly about them, make them part of their lives, and love to talk about them. It reminds us of what is good about the movies and makes us long for a time when you can have this kind of talent, both in front of and behind the camera, make wonderful,touching, hilarious films.
Holden was not too far removed from winning the Oscar for "Stalag 17" and was about to enter a "golden" period, starting with "The Country Girl" and continuing on until "Bridge on the River Kwai.
Hepburn had just won the Oscar for "Roman Holiday", and Wilder had "Stalag 17" and "Sunset Boulevard" completed, and would have a string of hits that started with "Sabrina" and continue on until "One, Two, Three" in All of the stars were properly aligned for "Sabrina".
Although I think Grant might have been better in the part, Bogart worked hard to be semi-tough and likable.
I'll be honest and say I found it disturbing to see him try to win over Hepburn. His features were too worn and hard to be completely winning.
He and Holden worked well together, which is amazing when you consider they couldn't stand each other off screen. Hepburn, of course, is gorgeous.
She's the perfect combination of charming, elegant, tom-boyishness, and beauty. Wilder does it again with his screenplay and directing.
First he assembles an excellent supporting cast, especially Walter Hampden and John Williams. Then he keeps the comedy coming and seldom lets up for us to catch our breath.
His use of the camera is terrific too. I love the shot of Bogart at his desk in the distance, while the camera shoots through several doorways.
Top notch production, first rate cast and wonderful screenplay and directing add up to a classic every movie lover should own. Rent it, buy it, borrow it if you must, but please watch this movie.
It was so enjoyable that within minutes I completely forgot it was black and white. The characters are portrayed so convincingly I never had the impression they were "acting".
It was really a charming movie. Even Linus, as played by Bogart, had some really humorous lines all deadpanned as if he were a bit serious when speaking them.
The movie flows seamlessly from one scene to the next and never left me craving better dialogue. Modern day movies just don't seem to have the grace of films like this one.
It was a treat to be reminded of how people viewed life in that era. A Cinderella story it is indeed, but it is so much more than that.
I have to say, this romantic movie is indeed, a classic from the Golden Age of Hollywood. It was made from one of the best directors of all-time, Billy Wilder.
Things become very complex, for Sabrina when David fall head over heels for her, after she spent a year, at a Paris cooking school and returns home, transform, into a glamorous classy socialite.
Fearing that David, will ruin their company with his cheating and womanizing ways; businessman Linus, starts to take steps in wooing the young woman, in an attempt to prevent David from destroying an oncoming company merger, and his own marriage.
Can Linus, stop David from falling in love, or will Linus end up, falling in love with Sabrina, himself? Watch the movie to find out!
Without spoiling too much of the film, I have to say, that I was never a huge fan of love triangle films. I always found them, a bit mean-spirited and wishy washy.
The plot isn't that strong, when you think about it. It's kinda weak. First off, it takes forever, for the plot to get going.
We have to wait, a long time for Sabrina to get back from Paris. I was really, hoping for a quicker pace. The film drags on, a little too much.
Second off, the plot is very shallow. It's really hard to believe, that Sabrina wouldn't get notice.
I know, it's based on s standards, but she's way too gorgeous, even in the beginning. I really doubt, she had anything really bad about her, that she would try to commit suicide.
Honestly, with the pony-tail, and plain clothes in the beginning. She looks a very attractive normal young woman.
She's look like, a girl that I would, have love to date at the time. She's way too beautiful. After all, it's Aubrey Hepburn for goodness sakes.
This film has that, shallow, 's She's All that, unbelievable in attractive. I really doubt, people were that, thin-headed, back then.
Films like this, really lacks in storytelling, because of the weak conflict. They isn't as much drama for the script to work with.
After all, they still, pretty damn rich, no matter, what the outcome, is. It's telling the lower social classes to act rich to get notice.
Wow-really wow. How- snobby. It was a bit much in the second half of the film. The glamour really went overboard.
I really doubt, going to Paris for cooking school, would make you into a fashion model. I really hatred, what Sabrina has become.
She rarely show, any of her cooking skills. In my opinion, the whole idea of her, going to Paris, was just there to push, the fashion onto the masses.
The costume designs in this film are more famous, than the story. A lot of people, will probably, remember the dress, Aubrey Hepburn wore in this film, than anything else.
I hardly remember, anything else. Don't get me wrong, the costumes are great, but I would have, love for the writing and humor to out shine the look of the film, more.
The writing was kinda lacking. One thing, the movie could have, done better, is if the filmmakers allow the film to be filmed in color footage, than black and white.
It kinda hurts, the look of the film. Despite, the positive themes that the movie is sending out, everything in this film, looks so gloomy with the black and white footage.
There wasn't any good reason for this film, not to be in color. It's not a film noir, after all. It's supposed to be a Cinderella story, so it needs to be in color!
This film was Audrey Hepburn's second film, meant to capitalize on her rising popularity from her Academy Award Best Actress win from the 's film, Roman Holiday.
Audrey Hepburn does her best, despite being typecast, yet again as another socialite. The acting from her is very top-notch, here. She's very cute, and really shines when she has to.
I don't really think she deserve to nominate for Best Actress for this film, but I'm just glad, they didn't play her, as an obnoxious gold-digger-like character like she would later play in other films.
The supporting cast is pretty good. William Holden looks and acts like a believable playboy. During production of the film, Hepburn and Holden entered into a brief, but passionate and much-publicized love affair.
Meanwhile, Bogart complained that Hepburn required too many takes to get her dialogue right and pointed out her inexperience.
Bogart at this time, was very irritable, frail and insecure with himself as romantic lead. He really didn't want to do, it. He only took the role, when first choice, Cary Grant drop out.
He didn't get along with anybody, during this film. He thought Aubrey Hepburn was a spoiled brat. He and William Holden couldn't stand each other.
He was very ill, and would die, a few years later this film, from throat cancer. Despite that, Humphrey Bogart is great, as the stern, business-driven, older brother.
The May-December Romance didn't bug me, as it could had. He wasn't miscast. The music is pretty good from Friedrich Hollaender.
I love the use of La Vie en rose. It's match, so well with the film theme. It's not that good. Overall: While, the movie has some faults.
It's still a great watch. A must watch for any movie lover. Immensely charming comedy set among the Long Island homes in which a Cinderella-type role gets closely involved with the wealthy Larrabies.
While she was growing up, Sabrina Fairchild Audrey Hepburn's suitable charming , the chauffeur's John Williams daughter , spent more time perched in a tree than she ever did on solid ground watching the Larrabee family , one of the US wealthiest families and she covets the dissolute David William Holden.
As she is the chauffeur's daughter on their lavish Long Island estate. Sabrina was invisible behind the branches, but she knew them all below There is Oliver Larrabee Walter Hampden , the modern patriarch of the Larrabee Corporation; Linus Larrabee Bogart , the serious older son who expanded a successful family business into the world's largest business company; and dashing David, the handsome, fun-loving Larrabee, who was the center of Sabrina's world and still harbors feelings for her crush: a carefree playboy, but not before his business-focused brother has something to say about it..
Until she was shipped off to Paris and she blossoms into a swan. After two years stay on Paris, she has just returned from a French cooking school managed by a likable cooker Marcel Dalio.
Sabrina has gone back to the Larrabee estate, but now she has blossomed into a beautiful and sophisticated woman.
Linus decides to trans Sabrina's affections from his feckless brother David to himself in order to protect a business merger.
But also David falls in love for Sabrina. Then enter older brother Linus who plays a risked game when he proposes to entice Sabrina from David taker her back to Paris and dump her.
This romantic comedy is intelligently and pleasingly written to gives us lots of fun , laughters and smiles.
The hit of the show is undoubtedly Audrey Hepburn who gives one of the best screen acting as ugly duckling having undergone a remarkable change ; Holden seems more relaxed and sympathetic than usual and of course Humprey Bogart is awesome as grumpy older brother and workaholic business mogul.
Emotive and romantic musical score by the classic Friedrich Hollander and atmospheric black and white cinematography by Charles Lang.
This slick, smooth comedy is stunningly written and directed by the genius Billy Wilder. Rating : Above average , essential and indispensable watching ; extremely funny and riveting film and completely entertaining.
It justly deserves its place among the best romantic comedy ever made. It's the kind of movie where you know what's coming but , because the treatment , enjoy it all the same.
The romantic comedy genre isn't one I usually gravitate towards but since it did star two of my all time favorite actors, Bogart and Holden, it was required viewing for me.
I enjoyed the movie immensely despite some issues I had with the plausibility of Sabrina's transformation. The film is moving, thanks mostly to Linus's restrained courting and Sabrina's relationship with her father, and there are wonderful comic moments, thanks to Holden's perfectly timed wise quips and lighthearted nature which clash with the senior Larabee's pragmatism.
Hepburn is as charming here as she is in Roman Holiday and Breakfast at Tiffany's. The ending makes perfect sense given David's commitment problems and the fact that in my opinion Elizabeth seems more alluring than Sabrina, though our heroine is perfect for Linus.
It seems to be not just stating but over stating the obvious to say yet again that Billy Wilder was a writing-directing genius, that Audrey Hepburn was not only drop-dead gorgeous but also a gifted actress, that Bogie and Bill Holden were consummate professionals who were virtually strangers to bad performances but I'm being constantly reminded that there are people reading these Boards whose parents may not have been born in the era when Sabrina was made and I guess you could argue that those of us a tad longer in the tooth have some kind of moral obligation to discuss artistes whose work is now becoming available on DVD in an effort to help them distinguish the wheat from the chaff.
Virtually all the books about Wilder - and possibly Hepburn and Bogie as well - mention the tension on the set between lone wolf Bogie and cosy threesome Wilder, Holden and Hepburn and the amazing thing is that this doesn't show on screen.
Wilder makes a big thing out of the fact that the 'Baron' - an outstanding cameo by Marcel Dalio - is making souffles at Hepburns Cooking School in Paris as if to reinforce what he Wilder himself is doing from beginning to end in this delightful confection.
Everyone was on top of their game and boy, does it show. This is one of those films that no one should even DREAM of remaking because that's like trying to reconstitute as an adult a snowflake that enchanted you as a child.
Untouchable, unmissable. As another poster said, this is why we go to the movies, for moments like this.
The scenario is set up whereby a well to do Long Island Family, with all the social register trappings of success and prominence, wind up purporting their New York societal clout through lavish parties!
These parties exude a facade of pecuniary omnipotence from the benevolent aristocracy, via the Larabee family. Amidst all the accoutrement of the wealthy Larabee household, are a chauffeur and his daughter who live above the garage of this domicile which houses eight beautiful cars.
Now what? All of this is very natural for a susceptible, barely out of adolescence, emotionally distraught female.
She is fixated on a young, good looking, devil may care bachelor of a plutocratic offspring. The initial dilemma for Sabrina Audrey Hepburn is that David does not really even notice her, however, after she spends two years in Paris, she returns, and, David becomes seriously intrigued with the woman, Sabrina, as opposed to the girl, Sabrina, he knew a couple of years back, whom he never paid attention to.
Therefore, Sabrina's love interest of idealism with David has resonated to fruition, thus making Sabrina's childhood heart throb,her potentially significant other..
So, what's the glitch to this entire panacea? Meet the brother.. Linus, Humphrey Bogart , and now, for Sabrina, it becomes a proverbial instance of choosing between impetuous passion vs debenture bonds.
At first, the fiscally responsible brother, who is running the Larabee empire, Linus Larabee, Humphrey Bogart escorts Sabrina around, only in a perfunctory capacity as a result of David's hapless absence.
Sabrina is afflicted by an impressionable infatuation, for David, and for Paris, however, the acutely insightful reality pertaining to the relationship she has with Linus, Humphrey Bogart ultimately puts infatuation in its proper perspective.
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